Collection Details
With Viancini, Venice; with Agnew, 1966, from whom bought by Lord Faringdon.

Literature
Luigi Salerno, ‘Il dissenso nella pittura’, Storia dell’ Arte, 1970, No. 5, p. 62 and fig. 49; idem, L’opera completa di Salvator Rosa, 1975, No. 99.

Exhibition Details
Agnew, Baroque and Rococo in Italy, 1966, No. 6.At one time thought to be a self-portrait, but this seems unlikely. It is probable that it was painted during the period in the 1640s when the artist was working in Tuscany.

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